Analogue Foundation

Rush Hour Deep Listens December 2018

Analogue Foundation
Rush Hour Deep Listens  December 2018
 
 
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Selected by
Rush Hour

 

Our Deep Listening Station has literally changed the way customers can listen to music at our store in Amsterdam. We offer use of the turntable to those who want to get stuck into records on real HiFi sound.  Recently we began making regular store selections of titles we recommend giving the long listen. We'll be sharing them with you, monthly,  here.


Some odd, beautiful and also oddly beautiful records this month. What a year it's been for new music and re-issues! Good times for those that like to listen on the original format.

# 1
MAAT

THE NEXT

PACIFIC CITY SOUND VISIONS
 


Pacific City Sound Visions greets wonder again, this fall, to bring you a third vinyl release from the late 80's early 90's experimental/industrial european scene. Another special release on Spencer Clarks incredible label. Big Tip on this! Limited to 280 copies

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After Vox Populi!'s "HALF DEAD GANJA MUSIC" and Frank Dommert's "KIEFERMUSIK", we have a hand picked compilation by the Hamburg artist MAAT. MAAT is a solo project by Dorte Marth, who created two secretly powerful and underappreciated records in 1993. They were released on two labels(Dragnet, Dom Elchklang) run by Achim P. Li Khan, the co-founder of the GREATEST BAND ON EARTH, H.N.A.S. MAAT'S musical pallette is at once, strikingly, a more dark and brooding occult version of Anima and Limpe Fuchs. One can hear classical music references much like Coil's Unnatural History, but played further, blurring the shadowy lines between sampling and virtuoso playing.

MAAT'S dark and glisteningly illustrated use of electronic drums, Pan-Asian arrangements, and classical styles, invent a private world where she uncovers and projects forth, a new and ancient female energy. Its almost as if she is orchestrating her pallette and shooting it through star-clusters beneath the world. Probably Typhonian Highlife's and 4th World Magazines greatest influence.

 

# 2
JIM WILSON

GOD'S CHORUS

TRUNK RECORDS
 


Extraordinary ambient / minimal masterpiece made just using the sounds of crickets. Sounds like heaven. Or beautiful death. Or angels singing. Or a choir in the worlds most amazing cathedral. 

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Tom Waits (on Jim Wilson): "Wilson, he's always playing with time. I heard a recording recently of crickets slowed way down. It sounds like a choir, it sounds like angel music. Something sparkling, celestial with full harmony and bass parts - you wouldn't believe it. It's like a sweeping chorus of heaven, and it's just slowed down, they didn't manipulate the tape at all. So I think when Wilson slows people down, it gives you a chance to watch them moving through space. And there's something to be said for slowing down the world."

 

# 3
THE CONSERVATIVES

TERRORAMA

VIEWLEXX
 


Imaginary? OST telling the story of six mental cases, trying to get rid of society's norms and values by kidnapping, a well-known TV host. Delivering the soundtrack, The Conservatives (I-F & Intergalatic Gary) are setting down the perfect mood for this cult classic !

 

# 4
SYMPATHY NERVOUS

S/T

MINIMAL WAVE
 


*Black vinyl press* Reissue of his debut album from 1980. Beautiful experimental sound design which results in proto-techno soundscapes. A gem in the genre!

Minimal Wave is honored to present a reissue of Sympathy Nervous’ pioneering debut album originally released in 1980 on Vanity Records out of Japan. Sympathy Nervous was Yosihumi Niinuma’s lifelong project which he started in his Tokyo living room in 1979. Through Sympathy Nervous, Niinuma was able to channel his energy into what he loved – building his own synthesizers and speakers from scratch. Niinuma was inspired by German Krautrock and through his music created intense proto-techno soundscapes. Now finally available for the first time ever, remastered from the original tapes used for the 1980 release, is the timeless masterpiece in its entirety.

 

# 5
KIRKIS

KIRKIS 2

MODED
 


Melbourne's Kirkis is back. Exposing his talents further in more obvious ways across this album - the musical ability that runs through this man is incredible. Check the post punk blast "Dark Room" if you need convincing quickly. Get one. Self released.

 

# 6
INFINITE SOUND

CONTEMPORARY AFRICAN-AMERIKAN MUSIC

AGUIRRE RECORDS
 

Conscious avant-garde free jazz featuring Roland P. Young originally released in 1975 on the eclectical 1750 Arch records !

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“1750 Arch was a beautiful Spanish-style hacienda,”recalls composer and multi-instrumentalist Roland P. Young. “It had a wonderful recording studio in the basement and the salon was converted into an intimate performance setting.” Young played solo gigs at that venue, in Berkeley, California, and also performed there in a duo with cellist Chris Chaffe. He remembers it as a particularly “transcendent” setting for concerts by Infinite Sound, his trio with singer Aisha Kahlil and bassist Glenn Howell.

 

# 7
ACEZANTEZ

S/T

SUB ROSA
 

First time reissue of avant-garde Croatian experimental '70s album !

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Rich textural pieces constructed from an intricate interplay of percussive squeals, scrapes and rattles, parched and pitchless woodwinds, and dislocated keyboards.

 

# 8
RAGNAR JOHNSON / JESSICA MAYER

MUSIC FROM YEMEN ARABIA: SANAANI LAHEJI ADENI & SAMAR

SUB ROSA

These songs originate from the city of Sanaa, the sheikdom of Lahej and the port of Aden. Samar is the delicious, luxury time when people gather for relaxation, refreshment and music.

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This record contains oudh playing, percussion and singing from Yemen. The three Kawkabani brothers sing traditional poems and play oudh (lute), double drums, tambourine and, occasionally, the kanoun (zither). They were recorded in Sanaa in 1973. The oudh player Hassan al Zabeede and his double drum playing brother sing songs in the Lahej style and were recorded in Taez in 1973.

 

# 9
RONALD LANGESTRAAT

SEARCHING

SOUTH OF NORTH
 

Selfrecorded in 1984 to 4 track tape. Rhythmical patterns meet well balanced distortion, shaping the music into a mirror of his character, creating a unique blend of lo fi blue eyed soul jazz. TIP!!

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Ronald was part of several Dutch Latin and Jazz bands, including Cascada and Ritmo Natural. With the latter he performed at Holland’s North Sea Jazz Festival. At this point Ronald is 78 years old, playing music every day. 

Instruments: Acoustic Piano, Fender Rhodes Piano, Farfisa Organ, String Ensemble, Tenor Sax, Alt Sax, Soprano Sax, Clarinet, Alt Clarinet, Organ Bass, Micro Moog, Drums, Longa & Voices.