Analogue Foundation

Rush Hour Deep Listens October 2018

Analogue Foundation
Rush Hour Deep Listens  October 2018
 
 
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Selected by
Rush Hour

 

Our Deep Listening Station has literally changed the way customers can listen to music at our store in Amsterdam. We offer use of the turntable to those who want to get stuck into records on real HiFi sound.  Recently we began making regular store selections of titles we recommend giving the long listen. We'll be sharing them with you, monthly,  here.


A mix of re-issues and new recordings currently on rotation this month

at the listening station:

 

# 1
SK U KNO (SUZANNE KRAFT)

U KNO

NO 'LABEL'
 


SK is a man that many of U (might) Kno already. Here he is in more 'out-there' mode. A strong LP of abstractions from this very talented L.A. bred / Amsterdam based musician... Comes with Insert. TIP!

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Words from the Author: 

'Here comes another alias...
These ideas were originally drafted and prepared for two live performances in Paris and Amsterdam in 2017. I took a reactionary approach to these performances, specifically in that I would not “perform” anything but rather “present” what could be called a snapshot of my studio explorations at the time. To be presented on record, outside of a live performance setting, some amendments have been made but the live sequence has remained intact.
Play it loud.'

Everything by D. Herrera

 

# 2
ANNELIES MONSERE

HAPPINESS IS WITHIN SIGHT 

STROOM
 


"This is a record about a parting of ways. It is dedicated to the one who has been left behind and the one who left."

 

# 3
PAULINE OLIVEROS

EARLY ELECTRONIC WORKS 1959-66

SUB ROSA
 


Compilation showing Pauline Oliveros's early and definitive contribution to the tape and electronic music of the late fifties and sixties - her systematic exploration of electronic sounds, which was fundamental to this period. Check!

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Pauline Oliveros is more than ever an important American composer. Born in Houston, Texas on May 30, 1932, the music she produces today is close to the breath of life, with, notably, her pieces for accordion played by herself, the creation of the Deep Listening Center, her approach to improvisation, and her numerous and varied collaborations with, among others, John Cage, Morton Subotnick, Terry Riley, Sonic Youth, Erold, and Andrew Deutsch...

''My work with electronic music began in 1959. My first tape piece was an ambitious four channel work called Time Perspectives. The piece was made by recording small sounds from objects resonated on a wooden wall and changing the tape speed. I used cardboard tubes as filters by inserting the mic into the tube and recording sources through the tubes. I used my bath tub as a reverberation chamber.''

 

# 4
CREMATION LILY

IN ENGLAND NOW, UNDERWATER

ALTER
 


Vast, expansive and introspective works utilising place-specific found sound on this second Cremation Lily LP for Alter. Contemplating mortality, illness and the perennial bleakness of British winter in a seaside town we find Zen Zsigo experimenting with piano, violin, synthesiser and walkman tape players. Layering field recordings of the Hastings shoreline atop druggy, stretched out 303 basslines and snippets of spoken word there seems to be an overarching thematic of memory and reflection at play. From vignettes of crumbling glass and bittersweet drones through to sprawling, semi-rhythmical pieces (‘As a sea creature...’) it seems as if Zsigo is trawling the coast for fragments of its former glory. The end result of his study manages to echo the work of Yoran, Leyland Kirby and even Jacob Kirkegaard yet the rare moments where he lays bare his own vocal narrative seemingly transforms In England Now, Underwater into sonic diary territory. Mixing salt-water soaked cassette loops with haunting, minimalist piano motifs and warped recordings of crashing waves and bird noise an intense atmosphere of Ballard’s drowned world is evoked through sound.

 

# 5
HINOSCH

HINOSCH EP

TAL
 


Electronic excursions from Düsseldorf/Osaka duo: Hinosch is the performing moniker of Koshiro Hino (Osaka) and Stefan Schneider (Düsseldorf), who present their joint debut release on Düsseldorf's TAL imprint.

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Having just finished a number of collaborative live sets in Japan und Europe, Hino and Schneider have prepared four unruly studio tracks, pushing unsynced electronic instruments into knotted spaces of tape treatments and sinuous operations.

Running parallel to their various solo and collaborative works Hino and Schneider are fully committed to Hinosch as a joint project with its very own DNA.

 

# 6
MJ LALLO

TAKE ME WITH YOU

SEANCE CENTRE
 

Compilation of the works by MJ Lallo, weird harmonizing mantras layered with drummachine rhythms.. Very psychedelic compositions where she uses her voice to create all kinds of sound(scapes)

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Take Me With You is a revelatory voyage through the captivating universe of voice artist and poet MJ Lallo. The works on this 2LP compilation were all recorded in her home studio between 1982 and 1997, primarily using drum computer, synth and her own voice processed through a Yamaha SPX 90 digital effects unit. They range from wordless harmonizer mantras and primitive drum computer meditations, to psychedelic latin dance-floor anthems and synth-drenched end-of-the-nighters. Lallo has created her own inimitable galaxy of sound where the human voice, liberated from the constraints of language and abstracted using digital technology, is able to explore the outer realms of human expression, like Joan La Barbara with an Eventide and a new-age sensibility. Although Lallo’s flight path is distinctly her own, her journey converges with other travellers as diverse as Jon Hassell, Laraaji, Stereolab, William Aura, Laurie Anderson, Meredith Monk, Gertrude Stein and even Terry Gilliam (whose film Brazil was a big influence on Lallo). Like something beamed in from another planet, Lallo’s work is both fascinatingly strange and strangely familiar, and will leave a lasting impression for lightyears to come. Double gatefold LP, remastered DDM pressing.

 

# 7
V/A

ANTIPODEAN ANOMALIES

LEFT EAR RECORDS
 

Killer compilation that sheds light on oddball tunes made in Australia and New Zealand during the 70's and 80's.. TIPP

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For musicians inhabiting the Antipodean countries of Australia and New Zealand during the 70’s and 80’s, it was a geographically and culturally isolating environment. Boutique shops, community radio and mail order exchanges championed independent and contemporary music from across the globe. It was, however, this isolation that caused a number of small community-focused scenes to evolve, creating their own unique interpretation and reappropriation of outside influences. Through both these scenes and government initiatives, a vast amount of music emerged on self-released and independent labels.

Yet, even among small scenes that were creating unique sounds, a number of artists seemed to be making music that was neither here nor there, often meshing together numerous genres and influences to create anomalous sounds. Artists like Olev Muska along with Ingrid Slamer meshed traditional folk songs of their Estonian heritage with cutting edge computer technology. Ngahiwi Apanui used his native language of Te Reo and a “cheap drum machine” to create a pulsating tale that highlights the creation of Aotearoa (the Maori name for New Zealand); while the Free Radicals would sing through PVC pipes to construct their vision of post-apocalyptic tribal music. Sydney’s Nic Lyon used his classical training to craft a distinctive gem which matched eastern and African influenced instruments with synchopated drum machines, while artists like Delaney Venn and Toy Division managed to challenge their post-punk sensibilities by blending both dub and atmospheric sounds respectively.

Compiled by: Chris Bonato and Umut Turkeri

 

# 8
MINAMI DEUTSCH

WITH DIM LIGHT

GURUGURU BRAIN
 

Minami Deutsch is back at it again with their latest LP "With Dim Light". Whilst softening their sound and cushioning the blow, you can expect a more profound diversity in their sound, whilst retaining the principle ingredients that make Minami Deutsch so great such as their signature fuzz, thumping bass and dream like vocals. There is a heavier experimentation in regards to genre exploration. 

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With hints of post punk and nods to late 60s psychedelic rock, this shows that Minami Deutsch is willing to push musical boundaries further whilst retaining a clever songwriting ability to achieve this album.

=Band Description=
Minami Deutsch was formed by Kyotaro Miula (guitar, vocals, synthesizer) in Tokyo in 2014. The band members being self-professed "repetition freaks" who heavily listen to minimal techno.

 

# 9
JAY GLASS DUBS

PLEGNIC

ECSTATIC
 

Jay Glass Dubs sublimates Athenian distress and ennui into plasmic dub ether on ‘Plegnic’, his lushly evolved 1st collection of new material for Ecstatic, following from their acclaimed, 2LP ‘Dubs’ [2017] set of his earliest, hard-to-find tape releases 

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Deconstructing and rebuilding Jamaican dub with musique concrete production methods and a lingering air of inspiration from classic 4AD, new age and Laïko, or Greek popular music, on ‘Plegnic’ Jay Glass Dubs fascinatingly evolves his sound with richer melodic and harmonic arrangements in a concerted effort to bridge and expand the nostalgic, esoteric and dancefloor dimensions of his unique sound world.

 

# 10
STANO

CONTENT TO WRITE IN I DINE WEATHERCRAFT

ALL CITY / ALLCHIVAL
 


Former member of Dublin punk band The Threat, Stano released his debut LP on Scoff Records in 1983. Recorded in Alto Studios, the Irish artist eschewed live performances in favour of fusing collaborative, improvised, experimental music with spoken word-poetry. The LP featured contributions from fellow Irish musicians and artists such as Michael O'Shea, Roger Doyle, Donald Teskey, Vinnie Murphy, Detroit born Jerome Rimson and is a seminal document of Irish postpunk